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Saturday, January 31, 2015

A Letter to a Young Lyricist

Hi Matt, 
Thanks for taking an interest in my work! Congrats on your decision to pursue music. As I'm sure you're aware, it's a long painful journey with lots of sacrifices but more fulfillment than the average career, I'd bet. 

I suspect that my lyrical proclivities are a bit abnormal, so I'm not sure my approach is worth replicating, but I'm happy to tell you my personal philosophy and opinion in regard to prose/lyrics:

1) Read everything. A writer without a thorough grasp of the english language and the myriad of ways brilliant people have been exploiting it for centuries is like a drummer without rudiments... she might hit a few nice pockets, but she won't have the means to get acrobatic and will work much harder at phrasing than one with a diverse vocabulary and historical knowledge. Watch people like Van Dyke Parks, Joni MitchellLeonard Cohen, Tom Waits, and Bob Dylan speak in interviews. It’s not a coincidence that they are some of the greatest lyricists of all time.

2) Listen to everything. Dissect the lyrics that really impact you. Figure out why they were so effective. Early in my development I was impacted by the lyrics of Rufus Wainwright, Joanna Newsom, Perry Farrell, Black Thought, Thom Yorke, Pharaoh Monch, Mos Def, Bjork, MF Doom, etc., but it took me too long to understand why. As someone that wants to increase my lyrical arsenal, it would be wise for me to listen both as an average listener and as a word engineer, and articulate why a phrase impacts me the way it does, so I can apply it to my work.

3) Live through everything. A lyricist is just a journalist in a poet’s jacket. Even fiction writing is based on first hand experience. Every few years I run out of stories. When that happens, I have to accept that I've lost my input/output balance; I'm writing more than I'm experiencing. This is a very common rut for artists, but seldom do they address it for fear of losing momentum. Stop writing, go out and have a breakup, or a car accident, or a crappy job, or a baby, or a protest... to "refill the coffers" with life stories that you can translate and relate to other people. The world doesn’t need more songs about how enjoyable dancing is. 

4) Be curious about everything. The most important and effective lyrics are those that tell the listener something they already know, but do so in a way they could not previously articulate. When you do that you are doing the listener a big service, and thereby creating value. Essentially, you are just drawing lines between things that other people had not connected before. This is the essence of good poetry. If I tell you that “love is like a burning flame in the chest” your response is most likely, “Yeah. Thanks for the incredible perspective.” If I tell you that “love is like having a bakery follow you around” you will stop and consider this, and may think, “Huh, it is kind of like that… walking near a bakery lifts my spirits with the smell of comfort. If a bakery were to follow me around, I would constantly feel like that. What a strange but accurate comparison that I had not thought of. Here is my money, GavCaz.” 
The way to train yourself to make these connections between disparate experiences easily is to learn about as many different worlds as possible, and take note of everything, especially how an experience makes you feel, so that you can find the parallels and intersections. Be curious about all things and people. Read, read, read. If you get good at it, you shouldn’t have to turn on your poetry cap… it will always be on. The goal is to live poetically. If you achieve that, lyrics will come easily. I’m not there yet, but I’m closer than I was five years ago.

5) Don’t worry about rhyming so much. Rhyming has ruined more lyrics than it’s improved. First learn how to write great poetry, and then worry about making it rhyme. Rhyming is easy when you have a dense vocabulary. Effective messaging is hard. Effective messaging with tasteful rhyming is the final step. 

That’s about all I got. Good luck - recognizing that your lyrics are a weak spot already puts you ahead of 98% of the artists out there, so stay at it and keep the long view.


Gavin

3 comments:

Lisa elliott said...

Wow, that was an amazing message. As someone who is very into the deeper meanings of song lyrics, it makes so much sense that this is the way the great artists get there. I haven't written poetry in quite many years, but this actually made me feel like I wanted to go write something-anything. Awesome.

Anonymous said...

+1
Good stuff. Adding to my growth folder that I'll get to after I'm dead...I mean, wait...that's how it works right?

JPzEyes said...

man, Gavin; I really couldn't have put ti better. Truth is; even the word 'the' in a conversation, if said 'just' the right way, can set my mind off onto the sort of tangential meditation taht transforms me, superhero-like, into "The Songwriter", complete with the aforementioned Poetry Jacket, and Poet cap.

The hard part is apt to be playing off, or explainng that dreamy "I'm not really paying attention to you" look in your eye, as yoru brain races to solidify the thought that just sorta bolted in at mach stupid, and is now trying to find the nearest exit, before you can really capture it.

Read everything, listen with more than a toe-tapper's ear - to music, and the thigns going on in the lives around you - figure out why 'you' get impacted by thigns you hear... I'll stop my shameless pontification. Suffice it to say; you completely nailed it. Now I'm off to go explore Gavin Cas' music. ...I HATE being late to a party!

~JPC